Forte AI Blog
Mix & Stems
Gain Staging in fMusic: Every Import Lands at the Right Level
Mix & Stems
Mix Delivery Checklist: What to Send Music Clients After Every Song
Mix & Stems
Match Template and Track Presets: Every Session Lands in Your Setup
Mix & Stems
Delivery Day: Stems, Instrumental and Radio Edit in One Pass
Mix & Stems
Every Print Its Own Recipe: Mix Source, Formats and Range in fMusic
Mix & Stems
The fMusic Visualizer: See Your Import Before It Touches Pro Tools
Mix & Stems
Export Categories From Buses, Outputs and Routing Folders
Mix & Stems
Organize in fMusic Suite: The Inherited Session, Readable in One Pass
Mix & Stems
Print Preview in fMusic: Hear the Bounce Before You Print It
News
fMusic for Logic Pro: Mix Prep and Stem Export, One Purchase
Comparisons
fMusic Studio vs Suite: What Each Tier Includes, Honestly
News
What Changed From fMusic: Every Module, Feature by Feature
News
fMusic, Rebuilt: Native App, New Engine, and a New Organize Module
AAF & Workflows
AAF Has No Audio in Pro Tools: The Four Causes and How to Prevent Them
AAF & Workflows
The Two Minute AAF Sanity Check to Run Before You Deliver
AAF & Workflows
Two Pop, FFOA and the Hour One Start: Timecode Conventions Explained
Older posts
Audio Handles: What They Are For and Why Nobody Agrees on the Length
Published specs ask for anything from 50 frames to a full minute, and none admit the others exist. What handles are for, the frames math, and where each NLE hides the setting.
Editing for Sound: The Cut Decisions That Reach the Mix Stage
Sound is not a phase that starts when your job ends. The choices made while cutting decide what the mix can fix and what it cannot, and why organisation is cheap but material is not.
What a Sound Mixer Actually Needs From You Before You Send the AAF
The delivery spec in a picture editor's language: handles, track order, embedded or referenced, the reference video, timecode, and what to send alongside the AAF.
The Pro Tools Mix Template: Bus Structure, Folder Tracks and Routing
A mix template is not a convenience, it is the structure that decides whether your stem export is repeatable. The bus hierarchy from the bottom up, and why the export depends on the routing.
How to Split an AAF into Dialogue, Music and Effects Sessions
One AAF in, three sessions out, one per department. What belongs in each, what has to stay identical across all three, whether folder tracks are the better answer, and where it breaks on the next cut.
fMusic vs SoundFlow for Pro Tools Mix Prep Automation
SoundFlow automates the clicks you would perform. fMusic identifies what each stem actually is by listening to it. The two solve different halves of mix prep, and the feature grid hides the distinction that decides which one you need.
Pro Tools Automation Explained: Write, Latch, Trim, and Where AI Takes Over
Most guides teach the automation modes and stop. This one covers Trim, which the leading guide omits, and what happens to your automation passes when picture changes and the session gets rebuilt.
Is There AI in Pro Tools? What's Native, What Requires a Plugin
Pro Tools ships with exactly one AI feature built by Avid. Everything else called Pro Tools AI comes from plugins and companion apps. The honest map of what is native, what needs a subscription, and what is only announced.
Strip Silence in Pro Tools: The Full Workflow
Strip Silence is one of the most underused tools in Pro Tools because the four sliders are easy to set badly. What each parameter controls, the order to set them in, and the cleanup step most engineers skip.
fPost Suite: Multi-AAF Import, Subcategories, and Session Splitting for Post Teams
fPost Suite is the new tier built for busy rooms and facilities: import multiple AAFs into one session, split a turnover into dialogue, music, and effects sessions, inspect per-clip metadata, and classify beyond the three macro categories.